Supporting roles are also very well taken, particularly Rachel Croash and Niamh O'Sullivan as Carmen's gypsy friends Frasquita and Mercédès, and a commanding Brendan Collins as the smuggler Dancaire. She and soprano Celine Byrne – as love-rival Micaëla – are captivating in their solos. Tellingly, scene-wreckingly, this drew laughter.Įlsewhere there is much to savour, above all in how mezzo Paula Murrihy inhabits the title role. He is triggered more by references to his mother than by either of the women he dithers between. ![]() Don José – mellifluously but pointlessly sung by tenor Dinyar Vanya – is presented as a pathetic sap, always engaged in introspective, self-pitying soliloquy instead of actually interacting with his rivals or Carmen. Curran’s conception undermines the direction, chiefly concerning the central love triangle where the expected tension is AWOL.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
February 2023
Categories |